Didn’t know until I just read it, but after (or before?) Nile Rodgers worked with David Bowie on Let’s Dance, and changed his sound, Rodgers passed up an opportunity to produce an album for the Culture Club to work with Burlington’s own The Spoons on Talkback. Rodgers then produced The Spoons’ singles “Tell No Lies” and “Romantic Traffic.” I never thought about the connection between the sound in Let’s Dance and in Talkback. Now I can’t help but hear it.
A little something that I found while researching the 1972 Summit Series back in December 2016, a complaint letter from the Prime Minister Pierre Elliot Trudeau about the exclusion of Bobby Hull, who then played in the WHA.
Source: National Archives of Canada/ Hockey Canada Fonds/ MG28-I263/ e001217383
Richard expressed the passionate assertion of a proud French Canadian, brilliant and raw.
Béliveau was the cultured gentleman, undoubtedly Quebecois, but open to a world of literature and opera, not only a man of Catholic devotion but also a man of truly catholic interests. It would be too much to argue that Richard embodied the path Quebec took, while Béliveau was the model of what Quebec aspired to be, but there is more than a little to that.