To the untrained eye most boxing matches appear not merely savage but mad. As the eye becomes trained, however, the spectator begins to see the complex patterns that underlie the “madness”; what seems to be merely confusing action is understood to be coherent and intelligent, frequently inspired. Even the spectator who dislikes violence in principle can come to admire highly skillful boxing—to admire it beyond all “sane” proportions. A brilliant boxing match, quicksilver in its motions, transpiring far more rapidly than the mind can absorb, can have the power that Emily Dickinson attributed to great poetry: you know it’s great when it takes the top of your head off.
—Joyce Carol Oates, On Boxing, pg. 7